The Rinart

The Rinart

1/8/15

The show must go on / Now I'm really determined to being politically uncorrect

Georgie Tier Trixie - Golden Shower Miriam Blaylock
Golden Shower - Metal thread and cotton embroidery on silk, with permission of artist Georgie Tier to use her 'Trixie' design.


Well OK. This week was a terrible one. It started wonderfully with Mr. X Stitch praising my squirrel study piece and making my day. 

Then the next day in the morning, a bunch of heavily armed and totally brainwashed fanatic assholes slaughtered 12 people in the Paris building of Charlie Hebdo, including Cabu and Wolinski, two famous French cartoonists whom I admire immensely. 

Cabu, he was a dreamer. He drew the end credits of my childhood's kids TV broadcast. They called him "Le Grand Duduche" - the approximate translation of which comes to my mind as "Big Forrest Gump" (mine is not a literal translation obviously, but that's what Grand Duduche calls up to me). So you can figure out how little harmful Cabu was.

Wolinski, he was a genius. He drew fantastic satirical stuff about sex and I just LOVE his humor. He even published Paulette in collaboration with Georges Pichard, another cartoonist whose works are in due place on my personal book shelves. Not only his drawings were Grand Art, but also his texts. His work was awarded the Légion d'Honneur in 2005.

I was devastated when I heard the news, very early after the attack (I'm a highly connected person, having no TV I rely on the Internet 24/7). 'How could this be true ?' I thought, just before being sucked up by the same nightmarish twister than the 9/11 one. To me, both horrors blend. I felt exactly the same on both days, and went through the same process of disbelief to nausea to bursting into tears. You people in the U.S. must know that we Europeans are physically much closer to radical Islam than you are. It's literally next door. Guantanamo is unthinkable here, it would immediately start a massive chain reaction leading right up to a global civil war. When I get out to the market on Saturday, I sometimes happen to see little toddler girls wearing the equivalent of a burqa. You must figure it out to understand how and why artists were slaughtered in cold blood in the heart of Paris. Me personally I don't give a shit about what people believe in or what they eat or the way they dress. But when they enforce their beliefs onto others, or when they kill people just because they don't agree with them, I get quite mad I confess.

Today I'm really really really mad. I've been relaying a lot of things yesterday and today from my main accounts in the social media. It was the first time I relayed so much messages and press articles in public since I started using Facebook, Twitter or Google (I usually am a very responsible user, and a very positive one most of the time). But here, but now, this can't be the answer. You cannot just pretend it's not serious. It is serious. It was my civic duty yesterday to spread the word about art, about freedom, about human rights, about tolerance. It is my artistic duty from now on to draw a line (-> 'OVER THE LIIIIINE') and to start acting up like Charlie Hebdo's team was. No more politically correct B.S., sorry folks. No more self-censorship. 

Now let me talk a little about what I stitch. I'm able to work on projects like the raised work squirrel one, for sure. But my core business is not Mrs Burr's beautiful birds or Mrs Paris' magnificent wood fauna. My core business up till now was plain pornography, preferably a sadomasochistic one. Now you must understand why, because my reasons and Charlie Hebdo's cartoonists ones are probably very similar (or at least that's what I believe).

I don't wish to encourage torture or degradation of human dignity. I just want people to think about an extremely shocking truth : the only difference between treating others like shit in SM or in real life is that in SM we just PLAY; it's only a GAME, with RULES and LIMITS that were NEGOTIATED beforehand and an END to the play WHENEVER ANYONE uses their safe word. In real life, none of the SM ethics exist. In real life, there's no game. In real life, treating others like shit is a fucked up power freak abuse, period. And there's a whole bloody lot of occasions in modern life when people, you, me, get treated like shit. Or worse, don't get treated like shit because they, we, were so afraid that they, we, finally crawled like animals just to (hopefully) avoid punishment or abuse. Now this is not acceptable. No one should tolerate this, turn their heads, tone down their voices or resentment, act 'as if it was not serious' to avoid head on confrontation. Because when a woman gets slaughtered through stoning it is serious. When a child gets sexually abused by a Catholic priest, it is serious. When 12 innocent people get shot in cold blood for drawing cartoons (or just being the wrong person in the wrong place, or just being on duty), it is serious.

When anyone in the world gets killed or wounded or life-traumatized by the armed hand / penis / weapon of any authoritarian full of shit bible- / quran- / torah- / Mein Kampf- / Little Red Book- / Marx's Das Kapital- / whatever the fuck ever- basher, we are all responsible, it is our collective human duty to stop it. With our true weapons, eg democracy, tolerance, dignity, but also provocative humor, artistic irreverence, political debate, compared philosophy, scientific knowledge, satirical columns. These are our safe words. These are our ever negotiable limits. These are the only grounds on which we can all live TOGETHER AS ONE. 'cause if we can't find common grounds, we're heading straight to getting the next extinct species on this earth. Not because we'd finally have had the nuclear holocaust happen (hopefully not...) but because the only people that will remain in this instance won't be human anymore.

1/7/15

Charlie's Hebdo - In Memoriam



It's a black day today, I feel like I felt on 9/11. I wish to express all my sympathy to the families, friends, fans and co-artists of the people slaughtered in Paris this afternoon by muslim terrorists.

As an artist, and most certainly as an erotic author, and as a woman, and as a de Sade's disciple, I also want to express how deeply determined I am to keep on creating, stitching and writing NO MATTER WHAT.

I wish this had never happened but since it has, let's all answer back and reaffirm our civil rights out LOUD. Freedom of expression WILL live. Through us ALL.

1/4/15

A Blackwork stress reducing experience - Keyhangers


Plate 15 (# 85) of Kim Brody Salazar's (aka Janthé d'Averoigne) 'Ensamplario Atlantio'
Plate 15 (# 85) of Kim Brody Salazar 
(aka Janthé d'Averoigne)'s 
'Ensamplario Atlantio'
Well, let's talk a little bit about blackwork. Black obviously being the color of my mood when it comes to my job, blackwork seemed particularly appropriate this week as regards to my Out Of Office time ending (very) soon. Anyways.


Blackwork is a very old and very famous counted stitch technique. It's logically worked on a white fabric with black thread (at least when respecting the initial rule #1). It had its days back in the 16th century and Hans Holbein the Younger was its official painter. Hence the other name of blackwork : 'Holbein stitch'. 



Pattern on the right comes from Mrs. Becky Hogg's 'Blackwork' published by the R.S.N.
Pattern from Mrs. Becky Hogg's
 'Blackwork' published by the R.S.N.



But it's still quite popular today, being a very graphic and pretty 'computer assisted design' friendly a technique. Now if you follow initial rule # 2, you should blackwork using the running stitch technique; that is the front side and back side of the fabric should look exactly the same and be equally neat. But that's for maniacs like myself.






Sample by Sylvie Tonnelier, published in 'Mains et Merveilles - Broderie Créative - Le Blackwork aujourd'hui' #1 (2005).
 Sample by Sylvie Tonnelier, published
 in 'Mains et Merveilles - Broderie Créative 
- Le Blackwork aujourd'hui' #1 (2005).


Nothing forbids you to work it as you please. Still if you're interested in doing it the perfect exact way, be warned that each pattern should first be decomposed into lines of uninterrupted running stitches, that this is applied mathematics (most precisely : algorithms) and that the theory behind it all is quite NOT for dummies. You can learn more about it in Joshua Holden's The Graph theory of Blackwork embroidery








Plate 35 (# 209) of Kim Brody Salazar (aka Janthé d'Averoigne)'s 'Ensamplario Atlantio'.
 Plate 35 (# 209) of Kim Brody Salazar
 (aka Janthé d'Averoigne)'s 
'Ensamplario Atlantio'.


The samples I stitched are squares, because I intended to have little 'pads' for keyholders purposes. But blackwork is a rather versatile type of embroidery, basically you can use it on (almost) anything, from napkins to cushion sleeves, on garments, clothes, smartphone covers, you name it. The form that's filled with blackwork patterns doesn't even have to be geometrical either. You can stem stitch the outlines of any type of flower, leaf, bug, skull, zombie you like and then fill the form with any blackwork pattern you fancy. 






Sample by Sylvie Tonnelier, published in 'Mains et Merveilles - Broderie Créative - Le Blackwork aujourd'hui' #1 (2005).
Sample by Sylvie Tonnelier, published 
in 'Mains et Merveilles - Broderie Créative 
- Le Blackwork aujourd'hui' #1 (2005).


If the fabric is too tight to count the stitches, you can even use little patches of water soluble Aïda canvas cut to fit the form you're blackworking in. The only No No being to end the stitches too far away from the edge : the blackwork pattern should blend into the edge of the surrounding form (well, supposedly so, nothing forbids you to experience what it looks like when not respecting the rule).








Sample by Sylvie Tonnelier, published in 'Mains et Merveilles - Broderie Créative - Le Blackwork aujourd'hui' #1 (2005).
Sample by Sylvie Tonnelier, published 
in 'Mains et Merveilles - Broderie Créative 
- Le Blackwork aujourd'hui' #1 (2005).

Blackwork patterns being composed of lines of uninterrupted running stitches, you can also play with its graphic properties when not completed. Mrs Becky Hogg in her book about blackwork explains how useful blackwork is when shading forms. Depending on how complete the pattern is, the stitches get darker (finished pattern) or lighter (not completed pattern). By the way : do buy her book, it's an absolute must read (published by the Royal School of Needlework).

Please feel free to ask any question; I'll do my best to help (but not as regards to the mathematics I'm afraid, being myself an absolute dummy).







1/1/15

New Year's Resolution : get OUT of that closet NOW

Hi everyone out there,

Well ok, first of all a picture of my New Year's Day Blackwork Therapy Session.

Blackwork stitched sample squares
Blackwork samples - for future keyhanger purposes
So, this is The Rinart speaking, for the very first time officially in English. Please you all native speakers forgive me. I'm a French speaking fox. I guess you'll have to check out the subtitled version of Gérard Oury's Rabbi Jacob movie to understand the prive joke in my nickname. But anyways, English is just another one of my school-learned skills so you'll have to make do with what I'll write here. My apologies for any (future) spelling / grammar / vocabulary mistake.

Why here, and why now ?

That's the one hundred million kopek question. Basically the main reason is : 'cause my job sucks. I know, lots of people out there are having the same issue. Jobs nowadays, they usually suck. No matter what, no matter how much, they suck - that's per se some very common characteristic of theirs. Mine I must say sucks a whole lot. A biiiiiiiiiiiiiiiig lot. Such a hugeous lot that I sometimes feel like Achmed the Dead Terrorist, on the verge of yelling 'I KEEEEL YOU' to my fellow co-workers AND also to my boss. The only difference with this late boss being, I really mean it... My GP warned me a couple of weeks ago that if I did not do something real fast - anything - to reduce my stress level, I was on the verge of getting fatally intoxicated with cortisol-related poisonous by-products. I know he meant it too. I sure know that. My joints and ligaments (again, Achmed...) are so irritated that I can't barely kneel down anymore. Reminder to MyPomme : I must have some wicked karma with Jeff Dunham's Opus. But well. My job sucks immensely that's a sore truth, but hey ! My job's not my whole life (most fortunately) since being an artistic fox is my real nature.

So on this first day of this first year of the rest of my life, I'm going to give me and my Art Dream some space, and make room for opportunities that won't bud by themselves; unless I work a little to make it work, I'm well aware of that.

I'll be talking about textile Art, mainly, because that's what I do. I'm a thread junkie you must be warned. Not a day without needle and thread, otherwise I get very volatile (which is not good for a fox, you'll all agree with that I suppose). But I may also refer to other subjects; such as religious nonsense, literature, music, food, Pandas, or any other unexpected matter. This is because my job sucks, sometimes I need to go out on delirious streams of consciousness soliloquies. I know I've already said my job sucked; but you can never stress it out too much, right ? My job DOES suck.